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Countries: Romania 7,5 / 10 Synopsis: La Gomera is a movie starring Vlad Ivanov, Catrinel Marlon, and Rodica Lazar. A policeman is intent on freeing a crooked businessman from a prison on Gomera, an island in the Canaries. However, he must first learn the difficult Crime Directed by: Corneliu Porumboiu

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A Ilha dos Silvos Watch movie page. 1 nomination. See more awards  » Videos Learn more More Like This Comedy, Drama Fantasy 1 2 3 4 5 6 7 8 9 10 5. 7 / 10 X A housewife struggles with her husband after he is possessed by a ghost. Director: Pablo Berger Stars: Maribel Verdú, Antonio de la Torre, Priscilla Delgado 6. 3 / 10 Five brothers reunite for a wedding at the family estate on the day that Spain plays in the 2010 World Cup final. Daniel Sánchez Arévalo Roberto Álamo, Quim Gutiérrez Action Thriller In Afghanistan, a Spanish medevac is sent behind enemy/Taleban lines. Bad landing destroys the rotor. They are spotted by the Taleban. Can they and the chopper be rescued in time? Adolfo Martínez Pérez Ariadna Gil, Raúl Mérida, Roberto Álamo Mystery 6 / 10 A drowned fisherman washes up, on the shores of Galicia. A local detective sets out to resolve the case. Gerardo Herrero Carmelo Gómez, Antonio Garrido, Luis Zahera 6. 5 / 10 A group of friends reunited after the suicide of one of them must to face all the secret and lies between them. Dani de la Orden Belén Cuesta, Adrián Lastra, Álex García 6. 2 / 10 Framed in a country environment, the series 'El accidente' begins with a plane crash in which there are no survivors. Lucia (Inma Cuesta) knows that her husband José (Quim Gutiérrez) was. See full summary  » Inma Cuesta, Quim Gutiérrez, Berta Vázquez Crime In order to get out of an extreme situation, would you consider committing murder if the victim himself is asking for it? Gonzalo Bendala Aura Garrido, Maxi Iglesias, Luis Fernández Romance 6. 1 / 10 A press seller in love with a girl who goes against his kiosk; a man who reunites his childhood sweetheart; a young woman who wants something more with the girl that just lying down; a. See full synopsis  » Directors: Peris Romano, Rodrigo Sorogoyen Fernando Tejero, José Luis García Pérez, Belén López Karla González 5. 5 / 10 A serial killer looking to imitate art. Two cops looking for the lethal artist. Adventure History 5. 6 / 10 Love, ambition, treason and death clash in a neverending search for a city built with gold. Agustín Díaz Yanes Raúl Arévalo, Bárbara Lennie, Óscar Jaenada 7. 1 / 10 Inspectors Velarde and Alfaro must find what appears to be a serial killer. This hunt against the clock will make them realize something they'd never thought about: neither one of them is that different from the killer. Javier Pereira Edit Storyline The corpse of a young man appears in a forest on the island of La Gomera. The case closes with the accusation to a local politician who is exonerated in the later judgment. Three years later, Sergeant Bevilaqua and his assistant, Corporal Chamorro, are sent to the island to revive the investigation. Corporal Anglada accompanies them, the last one who saw the young man alive. Plot Summary Add Synopsis Details Release Date: 1 September 2017 (Spain) See more  » Also Known As: Box Office Cumulative Worldwide Gross: 1, 415, 750 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  ».

"La" Watch La Gomera Online Tvfanatic Watch La Gomera Movie. A Ilha dos Silvos Watch. A ilha dos silvos watch movie youtube. La Gomera cuna del Almogrote Valle Hermoso – La Gomera La Gomera es uno de los lugares más bellos del mundo. La combinación de sus elementos, del mar que la rodea, sus escarpados acantilados, su parque nacional, sus terrazas de cultivo, su historia y sus gentes, dan una personalidad única a este lugar de ensueño, donde aún la naturaleza, el sosiego y las tradiciones son los verdaderos protagonistas de la vida de la isla. El nacimiento del nombre de la isla está envuelto en la legendaria llegada a la isla de las primeras comunidades norteafricanas, los Ghomara. 20 siglos de historia envuelven a estos pueblos bereberes, hasta que en el siglo XV llegarían al escenario isleño los europeos, que acabarían por someter la isla al poder señorial. La isla estaba poblada por los gomeros o gomeritas, indígenas de la isla. De ellos se conservan varias tradiciones, las más famosa son el silbo gomero, una forma de comunicación para superar las limitaciones de la accidentada orografía y nuestro apreciado Almogrote. El Almogrote es la especialidad gastronómica de La Gomera, allí nació, fruto de la influencia bereber. Se elabora con queso duro, pimienta, aceite y tomate y es un paté de queso exquisito, con un toque picante, ideal para acompañar al pan y a las papas. El queso gomero, en proceso de obtención de su “denominación de origen”, está elaborado artesanalmente a partir de la leche de tres razas de cabras autóctonas, mezclado o no con leche de oveja y es considerado por algunos entendidos como el mejor queso fresco del mundo. Fuente.

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Watch*La*Gomera*Online*Themovie4u. A ilha dos silvos watch movies. A ilha dos silvos watch movie torrent. 2 wins & 11 nominations. See more awards  » Learn more More Like This Comedy 1 2 3 4 5 6 7 8 9 10 7. 2 / 10 X Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine. Director: Elia Suleiman Stars: Elia Suleiman, Tarik Kopty, Kareem Ghneim Crime, Drama 6. 9 / 10 A gangster on the run sacrifices everything for his family and a woman he meets while on the lam. Yi'nan Diao Ge Hu, Lun-Mei Kwei, Fan Liao 6. 6 / 10 A Belgian teenager hatches a plot to kill his teacher after embracing an extremist interpretation of the Quran. Directors: Jean-Pierre Dardenne, Luc Dardenne Idir Ben Addi, Olivier Bonnaud, Myriem Akheddiou Thriller 7. 7 / 10 A cop from the provinces moves to Paris to join the Anti-Crime Brigade of Montfermeil, discovering an underworld where the tensions between the different groups mark the rhythm. Ladj Ly Damien Bonnard, Alexis Manenti, Djebril Zonga War 1945, Leningrad. WWII has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women search for meaning and hope in the struggle to rebuild their lives amongst the ruins. Kantemir Balagov Viktoria Miroshnichenko, Vasilisa Perelygina, Andrey Bykov In a remote Icelandic town, an off duty police chief begins to suspect a local man for having had an affair with his wife, who recently died in a car accident. Gradually his obsession for. See full summary  » Hlynur Palmason Ingvar Sigurdsson, Ída Mekkín Hlynsdóttir, Hilmir Snær Guðnason Fantasy 6. 1 / 10 A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret - not suspecting that it will push one of them to commit the irreparable. Bertrand Bonello Louise Labeque, Wislanda Louimat, Katiana Milfort A young Israeli man absconds to Paris to flee his nationality, aided by his trusty Franco-Israeli dictionary. Nadav Lapid Tom Mercier, Quentin Dolmaire, Louise Chevillotte Sci-Fi 5. 9 / 10 Alice, a single mother, is a dedicated senior plant breeder at a corporation engaged in developing new species. Against company policy, she takes one home as a gift for her teenage son, Joe. Jessica Hausner Emily Beecham, Ben Whishaw, Kerry Fox A stormy reunion between scriptwriter Lumir with her famous mother and actress, Fabienne, against the backdrop of Fabienne's autobiographic book and her latest role in a Sci-Fi picture as a mother who never grows old. Hirokazu Koreeda Catherine Deneuve, Juliette Binoche, Ethan Hawke Biography The real life of Tommaso Buscetta the so called "boss of the two worlds" first mafia informant in Sicily 1980's. Marco Bellocchio Pierfrancesco Favino, Luigi Lo Cascio, Fausto Russo Alesi Romance 8. 2 / 10 On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman. Céline Sciamma Noémie Merlant, Adèle Haenel, Luàna Bajrami Edit Storyline Cristi, a Romanian police officer who is a whistle blower for mafia, is going to La Gomera Island to learn an ancestral whistling language. In Romania he is under police surveillance and by using this coded language he will continue to communicate with the mobsters to get Zsolt out of prison. Zsolt is the only one who knows where 30 millions of euros are hidden. Written by 42 KM FILM Plot Summary Add Synopsis Taglines: Loyalty is not their language. Details Release Date: 28 February 2020 (USA) See more  » Also Known As: The Whistlers Box Office Cumulative Worldwide Gross: 645, 120 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Soundtracks Die Moritat von Mackie Messer written by Bertolt Brecht and Kurt Weill performed by Ute Lemper See more ».


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Un film de nota 4 Am văzut “La Gomera”, propunerea României pentru Oscar, la categoria “Cel mai bun film străin”. Este o producție care a beneficiat de sprijin masiv din partea mass-media, dar din punctul meu de vedere, efortul presei a fost doar o capcană pentru spectator. Și pe mine, ideea filmului m-a atras. Sinopsisul și trailerul îți stârnesc curiozitatea. Am zis că voi urmări un film romanesc care abordează și altceva în afară de mizeria, lipsa de educație și sărăcia cetățeanului de rând. Mi s-a părut ceva mai occidental. Așa a și vrut să fie. Dar a ieșit doar o tentativă. Filmul a început bine, foarte îndrăzneț chiar. O partidă de sex hardcore întâmpină spectatorii în primele 15 minute… Mi-au plăcut tehnica de filmare, luminile și coloana sonoră, adică detaliile. Dar în acest caz, detaliile nu au făcut diferența, pentru că… citeşte sabinalin pe 20 Septembrie 2019 08:20 " A fost sau n-a fost" capodopera absoluta a filmelor romanesti dedicate evenimentelor din 1989, un film care surprinde ideal chintesenta lasitatii si superficialitatii unui popor transformat in populatie. "Politist, adjectiv" un antipolicier foarte ironic, foarte fin cu Dragos Bucur in forma maxima si cu "O seara minunata" descoperita cu uimire si incantare pe cand curgea genericul final. "Cand se lasa seara catre Bucuresti" scadere de nivel in ceea ce priveste publicul larg, mult prea criptic, excesiv de reflexiv si personal. "Comoara" revenire catre forma buna, nu chiar cea mai buna, film solid cu Toma Cuzin aratandu-ne ca e mult mai mult decat Firicel. Dupa treisprezece ani si patru filme de lungmetraj regizorul Corneliu Porumboiu este deja cunoscut ca fiind unul dintre cei mai importanti reprezentanti ai valului douamiist, valul care a dus… citeşte mariusete pe 13 Septembrie 2019 11:49 O schimare de paradigma stilistica si narativa in cinematograful romanesc. De vazut! Mare prostie și risipă de bani timp și energie. Măcar de ar dona banii dacă tot are asa mulți și nu știe ce sa mai facă cu ei. Ar face și o fapta buna, ne-ar scuti și pe noi de rușine ca avem asa filme. MIRMIR78 pe 07 Septembrie 2019 18:47 O alta prostie marca porumboiu, copilul rasfatat de bani gata, care se joaca de-a regizorul lili22 pe 03 Septembrie 2019 00:17 Abia astept sa vad La Gomera propus pentru Oscar desi ma intreb cum se va confrunta cu Parasite care reprezinta Coreea de Sud. mirodoni pe 20 Septembrie 2019 10:22 „La Gomera” - regia Corneliu Porumboiu Un fost spectator scria într-un comentariu de pe aici că titlul, „La Gomera” are prea puțină legătură cu filmul scris și regizat de Corneliu Porumboiu. A fost amabil, filmul se putea numi și „La Gomora”. Dar asta nu e o problemă, câte filme românești au un titlu care să le reprezinte? Fac o divagație, pentru că și așa despre film nu prea am ce comenta, și vreau să spun că, pentru cineaștii noștri, care au învățat „meserie” de la profesorii UNATC, aceiași și aceiași de decenii, nu știu că titlul este esența filmului, este declikul care aduce spectatorul la cinema. Și nu numai că trebuie să-l aducă, dar nici nu trebuie să-l dezamăgească, pentru că a doua oară nu va mai veni. Desconsiderarea titlului a mers până la… citeşte lavvw pe 16 Septembrie 2019 11:12 Probabil o alta mizerie romaneasca cu buget de 5 mii euro. Catrinel pare singurul lucru bun din acest film.

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A ilha dos silvos watch movie free. A ilha dos silvos watch movie 2. Straight off, this movie is totally different to what you may be used when thinking about Romanian movies. Starting with the story, the cast (Catrinel Marlon is magnificent) the scenery, smart humor and hidden little gems (references to various famous scenes in other movies) this film makes you think you're watching more of a Hollywood movie than a Romanian one, although, as a downside, I must say certain characters seem to be portrayed a bit simplistic.
The story is, to some extent, a typical police one, but the twist of using the whistling language from Gomera Island enriches the plot all around as it unfolds.
I really liked the movie and I would be happy if it sets the new trend in Romanian Cinema.

A ilha dos silvos watch movie online. A ilha dos silvos watch movie download. On a little island in the Canaries with very rocky terrain that in times past made communication very difficult in the absence of modern day technology, the locals invented a whistling language, a whistled version of Spanish, “El Silbo”, that is still being used today. That was the idea where Corneliu Porumboius latest film originated. The island is called La Gomera. The film  La Gomera  ( The Whistlers) is a neo-noir thriller with inflictions of black humour and it is indeed woven around El Silbo. In the true vein of classic noir, the film portrays a post-crisis period, with morally ambiguous characters, especially the main male character, Cristi, played by Vlad Ivanov, a corrupt cop – alienated from society, on the edge of moral conduct and law, flawed yet human, charting a course through a disillusioned life and towards a doomed fate he seems to have no control over. Cristi is schooled in this whistled language on the island in order to get a crooked businessman out of prison and this initiation becomes a crucial part in his journey. The time of day is appropriately night, because the day always seems to vanish rapidly like the cigarettes the characters are incessantly smoking, the idyllic island gradually turns into a dark and chilly place, the meandering scenario only thickens as the plot advances, everybody is making you doubt them. It is a life and death world. But Corneliu Porumboius world is a highly stylized world, skillfully constructed, blending reality and imagination, a clear and intentional departure from the realism of the Romanian New Wave and taking a new and fresh direction. It is also an homage brought to cinema in general and to classic cinema in particular, with Hitchcock, Jean-Pierre Melville and western film references throughout the entire story. Ultimately, it is a beautiful piece of cinema and a visually complex film where every camera movement, every frame, every use of colour, every piece of clothing, every dim light counts. In my interview with costume designer Dana Păpăruz, we talk colour, costume and visual storytelling. Dana reveals the collaborative visual work for the film, how she used colour to establish the character of the femme fatale, the Greta Garbo influence and what part Picassos blue period played in the movie. We first see Gilda, Catrinel Marlons character, in the present day, on the island of La Gomera, but we are properly introduced to her in a flashback, immediately following. In both sequences she is wearing a red dress. In the flashback, when she is in Bucharest, she is wearing a blue/grey trench coat first, blending in with the grey surroundings of the cold city, but then she takes it off and appears in the red dress (different than the one she wears on the island. Was the colour of the dress important to establish her as a femme fatale? I will start by trying to explain what this project was based on, not just what I, as costume designer, wanted to achieve in this film. First, I would like to say that the entire film was well thought out and tightly controlled from a visual point of view. All the persons in charge of the different visual departments met, talked, made suggestions and eventually came to conclusions. And I am not only talking about Corneliu Porumboiu, the director, and about Mircea Tudor, the cinematographer, but also about the production designer, the costume designer, the light engineer, the make-up artist. Arantxa Etcheverria, the artistic director, was the one who came up with the idea of dividing the film in chapters, with each chapter revolving around one of the colours of the rainbow. So, apart from the fact that each chapter is introduced through one colour, that same colour is used in the respective chapter in different subtle ways to build up the plot, to attract the attention to certain things.  La Gomera  was one of the few projects in the present day (a complete surprise for me as well, this kind of approach for a Romanian film) where the crew had this desire to work together in order to create a unitary product, stylistically and chromatically. We all met in the first part of pre-production, we made camera, lighting, filter tests and every other possible test that could influence the image of the film, all sorts of camera movements along with changes in lighting setting or the actors placement. We came with suggestions regarding materials, textures and colour combinations… in short, we thought just about every scenario that could occur during filming in different situations or locations, that is to say our future space for play and creation. So the first chapter, named Gilda, is red, representing the first colour from ROYGBIV (or ROY G. BIV. And what colour would have been better for Gilda than red, a colour loved by a femme fatale, a character played so naturally by Catrinel, if I may say so? Of course, red is used in other ways, too, not just in Gildas dresses. The sofa in Cristis living room where Gilda takes a seat is also red, as a coincidence filled with humour, irony and as a confirmation of the fact that what is supposed to happen, will happen. Nothing looks pleonastic in the sequence where the two splashes of red meet, but rather slightly surreal, otherworldly, just like the feeling I had on the island. The grey of the city and its ugly parts were faded out by these chromatic ideas which were able to create a new reality where the spectator is transported to for one hour and a half. The time of day for filming was also important, thats why a lot of the exteriors were filmed at night, so that the lights could play their own part. I am glad you mentioned the grey city, because there is indeed something different that I noticed about the Bucharest depicted in this film. In many contemporary Romanian movies, Bucharest seems to be a character in itself, and its somehow become a repetitive image. What I loved about   La Gomera, is that the world it depicts is a fabricated, highly-stylized world, a world that skillfully blends reality and imagination, leaving behind the realism of the Romanian New Wave and taking a new direction. What was the general feeling working on the project? Trying to steer away from the harsh reality, the sadness, the depression, the ugliness that surrounds us in this grey city does not mean you can not create emotions; its just that these emotions are an intentional departure from this realistic new wave. Therefore, I had specific discussions with Corneliu Porumboiu on the subject, as he expressed this clear intention of trying to avoid the depiction of this crude reality by choosing to film at night most of the time and by making use of different types of lighting and thus creating a more plastic and optimistic setting and atmosphere of the movie. So the general feeling was one of freshness and new, without challenging the principles of style too much just for the sake of showing off or of being different. Everything makes sense from the visual point of view and I believe this should be the guide line with every project. And I dont think this costs more money, at least not as far as the costumes are concerned. Bad costumes can cost just as much as well made/chosen costumes. So we have chapters and specific colours – I actually realised this halfway through the film when I watched it the first time and then paid proper attention when I watched it again. The colour is sometimes used to define the character through costume, like in the case of Gilda, or to advance the plot in some other way, like the yellow bag in the third chapter (the colour yellow also appears in the motel) or the violet tulips in the Magda chapter (Magdas shirt is also violet. And, from what I understand, not everything was in the script, it was a work in progress. The colour was definitely not meant just to shape the characters. Part of what we initially thought out didnt make it in the editing room, but a big part of the concept is still in the film and it helps guide the viewer through the narrative… The yellow bag with money from Zolt, the Chinese womans yellow bag, the tulips and the shirt, Magdas top at the end, but others, too, like the violet medical uniforms worn by the Spaniards in the hospital, as well as the shirts worn on La Gomera by Paco, Cristi or Kiko. Some of the chromatic elements I think of right now unfortunately dont appear in the final cut, so their mentioning would only cause confusion. I somehow find it hard to straighten out the sequences at the moment, more than one year since the filming ended, because each detail was treated with the same importance, the ones that made the cut and the ones that didnt. I think I should watch the film again at least once. Did you come up with the idea of the yellow bag? I have to admit that sometimes I tend to read too much into details and costumes, which is maybe why it made me think of Hitchcocks   Marnie   and Tippi Hedrens yellow bag as she walks on the platform in the train station (the sequence in   La Gomera   also takes place at the station. Was this, by any chance, another cinematic reference from the part of Corneliu Porumboiu, as in the case of the motel? The idea of the yellow bag belonged to the set designer, but I came up with the idea of the yellow bag and of the yellow details in the Chinese womans scarf. Anyway, I dont think it would be fair to say a certain idea belonged to someone in particular, because it really was a collaborative effort to bring subtle contributions to each chapter and its chromatic. And, yes, Hitchcock was one of Cornelius influences, not necessary a film in particular, but rather the atmosphere, a feeling, the suspense. There were nonetheless certain characters who were built with Hitchcocks characters in mind. For example, Istvan Teglas character (the manager of the motel) who had as inspiration Anthony Perkins in  Psycho; or the character who is monitoring the recording cameras in Cristis home – this is a Hitchcock reference too. Even from a stylistic point of view, Corneliu wanted the characters to transcend time, he wanted to go back to the classic style and streamlined aesthetic of the 1950s. Along with Hitchcocks films, classic westerns were another reference; it is a western that is playing at the cinema where Cristi meets Magda, and the place where Zolt and the Spanish gang are caught and killed is also a western set. The sequences with Istvan Teglas and with the policeman who is watching the recording cameras from Cristis home (and its incredible how those scenes, confined to that little space and with only this character in close-up keep your attention up) are so well thought out and I love it that theres a trait of humour in them, just as it was in all Hitchcocks films. But the films unified, visually distinctive look (a clear collaborative work of all the artistic directors, as you said) also reminded me of the films of Tarantino and Almodóvar. You also mention the westerns, and I wanted to bring this into discussion, too. Cristi invites Magda to the cinema to try to cut a deal with her and there is a John Wayne movie playing. And its not just any cinema, but Eforie, about the only remaining cinema in Bucharest that still projects classic films and world cinema movies. Did Corneliu want to tell us something by that? The film is like a love letter to cinema from the director. Thats right, with the two western scenes inserted in our film (the western with John Wayne, but also the Sergiu Nicolaescu film they watch at the Ana Aslan sanatorium) Corneliu pays homage to both the classic western and the Romanian classic cinema. There is a trait of humour in that, too, and subtle irony. For the sake of these films and for all those who love film, I hope the closed cinema theaters will be reopened. Corneliu Porumboiu is undoubtedly a director who pays great attention to every detail. Do you usually talk about the costumes with a director or is it more a conversation about characters and their evolution? As I have tried to stress out, my collaboration with Corneliu was not merely a presentation of his ideas and my execution of those ideas, but a collaborative work in the true sense of the word, the way it should be on every film, no matter how small, or regardless of budget. Unfortunately, this doesnt happen every time, it also depends on each directors sensibility, on his/her visual training, but also on their willingness to devote time, attention and energy to every single detail that goes into the making of a film. For some directors, its only the relationship with the actors and their working on the script that matters, for others, as was in our happy case, everything mattered. After all, any screenplay is just a pretext for creating an imaginary world in the viewers mind. Everything that surrounds this text, this script, makes the film whole, because what looks good on paper doesnt necessarily translate well on screen. Maybe I am too exigent, but thats what I think. Working in cinema is hard enough and I wouldnt want to belittle it by making do with creating a few costumes, doing a little shopping and a couple of fittings. Only when the spectator notices these elements which you have also observed and starts asking questions, only then the film becomes a creation.  La Gomera  was a great gift for me form this point of view and I would repeat the experience any time. Magda (Rodica Lazăr) is a prosecutor. Her clothes are sharp, buttoned up, menswear inspired, she is always impeccably dressed, fit for the job. There seems to be no double-talk about her character. Is that what her clothes suggest? Even Magda was inspired by an iconic figure of classic cinema. The character, but also Rodica Lazăr‘s presence, reminds of Greta Garbo, and by that I am referring to Garbos characters or the moments when she wore her well known avandgarde 1930s looks, menswear inspired, but very feminine nonetheless, and elegant, she seemed unattainable somehow, and that was due to both her acting and her costumes. So the wide-legged and high-waisted trousers, the short-waisted and body-hugging blazers and the buttoned-up shirts, the trench coats and classic coats fit Magda like a glove. Not only style-wise, but revealing a clear trait of the “incorruptible prosecutor” character who can not be fooled by appearances. Everything is straight about her look, serving its purpose, but never affecting her femininity. Did you watch any Greta Garbo films to prepare for this character? Or any other films as research? I have read that Corneliu Porumboiu watched and re-watched many classic noir films when he was working on the script. Yes, I had a long list of noir films I had to watch for research; I partially managed to watch them in the short period of time that I had, or at least parts of these films or archive footage. Regarding Magdas look inspired by Greta Garbo, I think that was my idea, as a result of constantly looking for proper references for this character, the beautiful prosecutor. She too is a character enveloped in mystery, difficult to be placed in time. We come to the third female character in Cristis life, his mother. Julieta Szönyi, who is known for the classic Romanian films   Toate pânzele sus   ( All Sails Up) and   Felix and Otilia, plays her. She is a woman of a certain social status and her clothes and poise show it. What exactly did you want to reveal about her past through her look? The character Mama, played by Julieta Szönyi, for sure is a character with a past. She doesnt give the impression of having been either poor in her youth, or without a well established status before the revolution, and she certainly was a very beautiful woman, she still is. She is elegant, she is wearing discrete but valuable jewellery, I would even say she looked a little eccentric in some sequences which unfortunately were left out, so I wont get into these details. This is a character that required a lot of stylistic research through references and different fittings in order to be shaped the way she appears in the film. Lets talk a little about Cristi. He dresses inconspicuously, in simple, classic clothes, but they are fine clothes nonetheless, they are not a faithful representation of real-life policemen (there is an obvious difference between his clothes and his colleagues, Alins, clothes. Yes, he may be higher in rank and towards the end of his career, but his look also alludes to improper ways of earning more money. His expressions are very subtle, too, his movement is minimal, his character evokes feelings of both escape and imprisonment from/in certain rules, system, society. He doesnt seem to belong to either world, he is very detached, he seems resigned, and I see his clothes as an important sign in regard to this character attribute. How would you describe him? Cristi also draws from these classic characters. Two sources of inspiration for him were Yul Brynner and the characters from  Le cercle rouge. The same stylistic simplification was applied to his character. I have to admit that at the beginning of the project I found it difficult to resist the temptation of being too showy or of revealing too much with some details or characters, but I came to realise that sometimes less is more. And it was a joint effort, a team work, always searching, negotiating even, and eventually reaching the best decisions. I am not saying I wouldnt change anything right now, I am saying that at that moment, in the little time we had, each one of us gave their best. Yes, Cristi is clearly a different personality than Alin, a different age, a different generation, mentally and as to how liable he is of being corrupted, but he is also after all a man pushed to his limits. I think your description is very correct and that is also what we wanted to transmit through his costumes. But Vlad Ivanov was also asked to lose some weight for the role, so I tried to elongate his silhouette by using ton-sur-ton looks. Throughout the film, Cristi always wears navy shades, with very little exceptions, like his clothes on the island, where the overall look of some frames was asking for something different. You dont really know what to make of this character, it is as if time has stood still for him, he is consciously detached from his clothes, as opposed to other characters. Zolt, on the other hand, looks like a guy who pays attention to his clothes. That is the impression I got from his character. He wears muted, natural colours, too, but the image he projects is different (I recall the cardigan with a rich fabric) and he seems to have worked hard at his overall look in order to project a certain image. Am I wrong? Zolt was another character that required much research, especially that his scenes didnt require a large variety of clothes. He practically comes disguised when he first meets Cristi, then the next outfit (including the cardigan you mention) is the one he is wearing when he is caught and then taken to interrogation, then the clothes he wears when he is taken out of the hospital could have very well been given to him by those who kidnap him. I have to admit I was very happy with the choice we made for Zolts arrest sequence, because, if you are paying close attention (and for those who have the knowledge) those frames, chromatically speaking, seem depicted from Picassos blue period paintings. All this preparation and work we did were also supported by the post-production colouring. We tried to solve most of the chromatic part during filming, everything was thought out as a whole, everything had to be in relation with the surroundings (characters, decor, plus lighting, filters, etc. then the wonderful team in charge of colouring made the necessary improvements. A costume designers job is to reinforce the story and help the actor form an identity of his/her character. But what exactly goes into the work of a costume designer today? How much ready-made shopping, how much vintage and how much making did the costumes in La Gomera involve? Did you also talk to the actors about their clothes? I have talked in detail about their characters with some actors, with others unfortunately hardly at all, but that doesnt mean the supporting characters were not invested in properly. I dont think there is a rule, each project is different when it comes to making or finding the costumes. Yes, it is a combination of making, shopping, thousands of alterings and sourcing vintage objects. For Gilda, for example, half of her wardrobe was specifically created for the film, there were also a few other outfits that didnt make it to the final cut, but which were necessary so that we had a larger variety we could choose from on the day of filming, to have freedom of choice. Practically, there is always a stock of costume, even if each costume is usually decided in advance when discussing each sequence. We are always on the lookout, always prepared to face unpredictable situations. And that is because sometimes changes occur to the script to the very last minute, or because of the weather, or even as a result of the on-going discussions we are having during filming. Which were the costumes you specifically made for Gilda? Most of the dresses were made: the two red dresses from the first chapter, but also the grey-blue coat, the green skirt and the yellow shirt dress she wears on the island in the sequence after the beach (the one with the red car) her navy dress from the end of the film, in Singapore – we also had an ivory version for this one, but decided not to use it because of the weather (it was raining, so the dress would have been too revealing. And there were a couple of other dresses which didnt find their place eventually, but I dont regret it, I think we made the right choice for every Gilda moment. Often contemporary costume design does not get the attention it deserves and it is the historical, period or fantasy films that are considered more fascinating in a visual way and more challenging for a costume designer. You have done both. How do you feel about that? If I were to choose what challenges me more, I wouldnt know what to answer. If I were to say what I prefer, I would say period costume. But indeed I have done and will always do both. Because in this way you can be challenged in different ways and if I succeed to get the publics attention with a contemporary project, then I find that even more valuable. In other words, both  La Gomera  and the HBO tv series  Umbre  ( Shadows) have a special place in my heart. Photos: film stills „La Gomera”, 42 km Film This piece is published courtesy of Tags: Corneliu Porumboiu, costume design, Dana Paparuz, Fashion and Film, Femme Fatale, film noir, Greta Garbo, Hitchcock, interview, La Gomera.

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A Ilha dos Silvos Watch movie reviews. Successfully reported this slideshow. Upcoming SlideShare Loading in … 5 ×... Published on Jan 20, 2020 Watch La Gomera movie download free full 1. Watch La Gomera movie free download full, Watch La Gomera movie free full download, Watch La Gomera movie download full free, Watch La Gomera movie download free full, Watch La Gomera movie full free download, Watch La Gomera movie full download free, 2. LINK IN LAST PAGE TO WATCH OR DOWNLOAD MOVIE 3. La Gomera is a movie starring Vlad Ivanov, Catrinel Marlon, and Rodica Lazar. A policeman is intent on freeing a crooked businessman from a prison in Romania. He travels to Gomera, an island in the Canaries, where he must first... Cristi, a Romanian police officer who is a whistle blower for mafia, is going to La Gomera Island to learn an ancestral whistling language. In Romania he is under police surveillance and by using this coded language he will continue to communicate with the mobsters to get Zsolt out of prison. Zsolt is the only one who knows where 30 millions of euros are hidden. 4. Type: Movie Genre: Comedy, Crime Written By: Corneliu Porumboiu. Stars: Vlad Ivanov, Catrinel Marlon, Rodica Lazar, Agust� Villaronga Director: Corneliu Porumboiu Rating: 6. 6 Date: 2019-09-13 Duration: PT1H37M Keywords: canary islands, police detective, policeman, police officer, police 5. Download Full Version La Gomera Video OR Download.

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