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Actor Stacy Martin, Rhona Mitra
1 H, 49m
writer Gavin Rothery
2904 votes
genre Sci-Fi
tomatometer 6,5 of 10

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  • countries UK
  • actors Theo Rossi
  • Eric Bress
  • Genre War
  • Ghosts of War is a movie starring Brenton Thwaites, Theo Rossi, and Kyle Gallner. Five American soldiers assigned to hold a French Chateau near the end of World War II. This unexpected respite quickly descends into madness when they
  • 2020







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Release Date=2019
Elijah Wood, Stephen McHattie
Average Rating=6,5 / 10 Stars

reviews=A man in his thirties travels to a remote cabin to reconnect with his estranged father
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  1. Yoav Levi, Yehuda Nahari Halevi
  2. average ratings 7,7 of 10 star
  3. Rating 248 votes
  4. Release year 2019
  5. Director Yaron Zilberman

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Pojechaliśmy z rodzicami na wakacje w góry i tam oni – oraz ich przyjaciele – widząc samoloty Układu Warszawskiego lecące do Czechosłowacji, już całkowicie się zapadli. O Marcu dowiadywałem się przez odwrotność. Co to znaczy? – Słyszałem: „Nie ma Stefana. Stefan był cudowny. Kiedyś pojechaliśmy na narty i na parkingu w jednym z samochodów siedziało zamknięte dziecko. Czekało na rodziców i płakało. Stefan nie poszedł z nami na narty, został z tym dzieckiem”... Był przyjacielem rodziców, mężem jednej z bohaterek mojej nowej książki. Poznałem w dzieciństwie całą listę ludzi, których zabrakło. Ale to była lista zupełnie inna od tej holocaustowej, przy wymienianiu której mój dziadek miał łzy w oczach: Róża, Józio... Nad tą marcową listą nie wisiała śmierć, to był spis rozstań. Z przyjaciółmi, z ukochanymi. I nagle, gdy zacząłem jeździć po świecie, okazało się, że nie są to jedynie jakieś legendy. Ci ludzie istnieją, miejsca, o których słyszałem, istnieją. Te przedziwne adresy w książce telefonicznej są prawdziwe. Petah Tikwa – wiesz, jak to brzmi dla dziesięciolatka? Jak jakieś śmieszne nazwisko. Aż w końcu pojechałem i oni tam byli. Przekroczyłem drzwi, a oni od pierwszej chwili okazali mi miłość. Bo jesteś synem przyjaciół. – Tak. I po pięciu minutach czułem się u nich najbezpieczniej na świecie. Nie szczypali za policzki, stali się bezwarunkowymi przyjaciółmi. Tyle lat na nas czekali... Odkryłem to później, że dzięki nim mój – nie tylko mój zresztą – świat się rozszerzył. Jechałem do Ameryki, a tam byli przyjaciele rodziców. Leciało się taki kawał po to, by tam też być w domu. Udało ci się ustalić, przez odwrotność, ile cioć i wujków straciłeś 50 lat temu? – U nas w domu nie mówiło się o ciociach i wujkach. Byliśmy z nimi wszystkimi po imieniu. Moi rodzice stracili w Marcu kilkanaście najbliższych, najbardziej istotnych dla nich osób. To w zasadzie jak zniknięcie świata, który się zna i który daje poczucie bezpieczeństwa... – Rodzice żyli w dwóch światach: polskim i żydowskim. W Marcu stracili ten żydowski. To nie było pokolenie żydowskie, nie byli wierzący, nie przestrzegali tradycji, żadnych świąt. Nie mieli o tym zbyt dużego pojęcia. Do czerwca 1967 roku, gdy wybuchła wojna sześciodniowa, w ogóle w tym świecie nie istniał temat żydowski, nie rozmawiali o tym. Przyjaźnili się, kochali, pili alkohol, jeździli na wakacje, pracowali. Nie opowiadali o tym, kto i w jaki sposób przeżył wojnę. Zaczynali być dorośli, pojawiały się dzieci. Żyli jak reszta. I nagle to wszystko wróciło. Kiedy po raz pierwszy zapytałeś rodziców, czym był marzec 1968 roku? – Nigdy nie zapytałem, czym był. Raczej próbowałem zrozumieć, dlaczego zostaliśmy. I żeby było jasne – ja zawsze byłem zadowolony z decyzji, którą rodzice podjęli. Tym bardziej że mieli plany wyjazdu i długo zastanawiali się dokąd – do Australii czy do Kanady? Wszystko wskazywało na to, że wyemigrujemy do Kanady. Może bym dzisiaj był hokeistą. Te rozmowy z rodzicami były... Wiesz, to jak z dobrym wywiadem musisz zadać otwarte pytanie. Ja wtedy tego nie wiedziałem i gdy pytałem: „Dlaczego nie wyjechaliśmy? ”, dowiadywałem się o całym Marcu i o wojnie: „Nie wyjechaliśmy, ponieważ nasi rodzice nie chcieli wyjechać”. A mój ojciec spędził z nimi wojnę, przeszli przez getto, piwnice po aryjskiej stronie Warszawy. Tata zdał sobie sprawę, że nie może ich zostawić. Oni nigdy by go nie zostawili, więc nie było mowy, by się rozstali. Dopiero dzisiaj, gdy dotykają mnie rzeczy rozgrywające się obecnie w Polsce, rozumiem, jakim wysiłkiem musiało być dla nich życie w Polsce po 1968 roku. Jeśli masz za sobą takie doświadczenie, już nigdy nie możesz się czuć bezpiecznie. Już można o tobie mówić złe rzeczy, można podważać twoją historię, historię twoich rodziców. Wszystko się wali, zapada. I skąd brać siłę, by pewnie stać na nogach i się na nich opierać? I jeszcze się czasami w życiu uśmiechnąć? Wtedy, w Marcu, rodzice byli po studiach, tata miał już doktorat. Nigdy o tym nie mówił, ale był bardzo zdolnym fizykiem. Był na dobrym wydziale, otaczali go przyzwoici ludzie. Profesura stanęła za studentami i młodymi pracownikami naukowymi. Gdy trwała nagonka, ojciec siedział w instytucie i prowadził badania. Nigdy nie był wielkim działaczem społecznym, nauka była całym jego życiem. Ale naturalnie widział, co się działo wokół, i przez cały ten czas rozważał, czy wyjechać. Wiedział, że decydując się na pozostanie w Polsce, stawia mnie – bo wówczas brata nie było jeszcze na świecie – w trudnej sytuacji. Że będę narażony na coś, co w innych krajach się nie wydarza, ponieważ państwo dba, by takie rzeczy nie miały miejsca. Mama bardzo nie chciała wyjeżdżać z Polski. Jedynym kierunkiem, który w ogóle mogła brać pod uwagę, była Francja, w której się urodziła. Mówiła po francusku, miała tam wielu znajomych, głównie przedwojennych przyjaciół jej rodziców. Tata uważał, że może dopiero moje dzieci zostaną Francuzami, a my do końca życia będziemy tam emigrantami. W 1970 roku urodził się brat. Ludzie wciąż jeszcze wyjeżdżali, choć to była już gasnąca fala. Rodzice podjęli ostateczną decyzję – rodzina będzie żyła w Polsce. I jesteś im za to wdzięczny. – Miałem szczęście urodzić się w Polsce w inteligenckiej rodzinie, chodzić do szkół ze wspaniałymi ludźmi. Do tego lutego myślałem, że miałem szczęście, że jest naprawdę dobrze. Do lutego 2018 roku? – Tak. I mówię to, choć przez ostatnie 50 lat miałem przecież dosyć regularne doświadczenia z polskim antysemityzmem. To było obecne, ale nie spędzało snu z powiek, nie nękało dzień w dzień. To był po prostu kawałek mojego życia. To jak z byciem chorym, przyzwyczajasz się do życia z bólem. Uodporniłeś się? To chcesz powiedzieć? – Na różnych etapach życia miałem różne strategie przetrwania. Gdy zostałem przeniesiony do innej szkoły, bo w poprzedniej mnie lali...... z powodu pochodzenia? – Nie, z powodu nieprzystąpienia do komunii świętej. Musieliśmy się przeprowadzić, więc i szkoła była nowa. Przyszedłem do niej w trzeciej klasie i w zasadzie od pierwszego dnia czekałem, kiedy to się znowu stanie. Od ósmego czy dziewiątego roku życia miałem w tyle głowy świadomość, że coś się może wydarzyć. Bo jestem tym innym. Żyłem, poznawałem nowych kolegów i koleżanki, ale cały czas coś w głowie mówiło mi: „Bądź czujny, uważaj, rozglądaj się”. Gdy ktoś w moim otoczeniu mówił o „żydkach”, odsuwałem się i szedłem w drugą stronę. Wielu bohaterów „Księgi wyjścia” wspomina, że dla żydowskich dzieci droga do szkoły to zawsze były kamienie, którymi w nich rzucano... – Później, już w liceum, w czasie stanu wojennego, miałem jeszcze jeden ciekawy epizod. Uczniowie walczyli wtedy o to, by w szkołach były krzyże. I ja walczyłem z nimi. Wracałem do domu, opowiadałem rodzicom, a oni pytali, czy ja aby nie zwariowałem. Przestrzegali, mówili, że nie wiem, co robię. A ja po prostu uważałem, że jeśli to jest dla moich kolegów ważne, to dlaczego mam ich nie wspierać w tej walce? Oczekiwałeś zapewne wzajemności. – Na zebraniu samorządu szkolnego powiedziałem, że jeśli dla kogoś ważny jest krzyż, to proszę – niech wisi krzyż. Jeśli dla innych ważny jest Che Guevara, to niech zawiśnie jego zdjęcie. A jeśli dla niektórych ważna jest gwiazda Dawida, to niech także i ona zawiśnie. Dlaczego nie? I na to jeden kolega odpowiedział: „No, z tą gwiazdą Dawida to bym jednak tak nie szarżował”. Wróciłem do domu, opowiedziałem o wszystkim rodzicom, a oni powiedzieli tylko: „O, to i tak gładko się o tym dowiedziałeś”. W żydowskiej Warszawie byłem wtedy pośmiewiskiem. Ludzie mówili: „A wiecie, że ten mały Grynberg walczy o krzyże? ”. A ty uważałeś, że warto... – Uważałem, i do dziś tkwię w tym przekonaniu, że jeżeli wszyscy jesteśmy równi, nie zabieramy innym wolności, to dlaczego nie? Ale wszyscy musimy być otwarci na to, co odmienne. Gdy już wiedziałeś, że nie zawsze można liczyć na zrozumienie, jaką przyjąłeś strategię? Na przykład gdy ktoś przy tobie pozwalał sobie na antysemickie wypowiedzi. – Nie puszczałem mimo uszu, stawałem do walki. Na słowa. Nigdy nie dopuściłem się przemocy fizycznej, ale wiele razy czułem, że jestem bliski dania komuś w mordę. Że doszliśmy do granicy tego, jak bardzo można mnie poniżyć. Bo nie ma już argumentów, wszystkie padły wcześniej. Czy mogę spytać, co jest tą granicą poniżenia? – Odbieranie tożsamości. To, że ktoś decyduje za ciebie, kim jesteś i kim masz prawo się czuć. Często wybrzmiewa to w taki fałszywie przyjazny sposób. Na przykład słyszę: „Panie Mikołaju, no przecież obaj wiemy, że ja jestem Polakiem, a pan nie jest”. Odpowiadam wtedy: „Jestem Polakiem”. Na co słyszę: „Panie Mikołaju, ja pana proszę, mieszka pan tutaj, ale przecież obydwaj wiemy... ”. To taki protekcjonalny, misiowaty ton, który powoduje, że przepalają mi się bezpieczniki. W sekundę i wszystkie naraz. Twoi rodzice odprowadzali kogoś na Dworzec Gdański? – No... wszystkich w zasadzie. Chodzili, płakali. Myślę, że najgorszy był dla nich powrót do domu. Pociąg odjeżdżał, ocierali łzy, kontakt się urywał. Wszyscy byli przekonani, że to na zawsze, że już nigdy się nie zobaczą. Ja za cholerę nie umiem sobie tej sytuacji wyobrazić, co się z nimi działo, jak musieli się czuć, gdy wracali do domu, gdy ich świata znów ubywało. Wiem, że mama płakała, a tata starał się wymyślać różne aktywności, by nie myśleć o tym cały czas. Jeździliśmy na wakacje, środek ciężkości przeniósł się na nowe środowiska, które poznawali i w których starali się odnaleźć. A przecież jeszcze na tych peronach Dworca Gdańskiego byli świadkami poniżania najbliższych przyjaciół. Jeszcze w ostatnich chwilach w Polsce publicznie ich upokarzano: „A nie, tego jednak nie możecie ze sobą zabrać”. Grzebanie w walizkach na do widzenia. – Złośliwe prowokacje, wyrzucanie z tych walizek cennych pamiątek, tłuczenie na dworcowym betonie. Wszystko po to, by się na nich rzucili, by ich jeszcze do więzienia przed emigracją wsadzić. Ale ci, którzy wyjeżdżali, wiedzieli, że muszą to znieść. Bo zostaliby z niczym, a nie mieli już ani mieszkań, ani pracy. Stali więc na tych peronach i dawali się poniżać po to, by już za chwilę nikt ich nie poniżał. Taka była ostatnia rata tej ceny. Twoi rodzice mogli przypuszczać, że ich czekają całe lata poniżania. – Tata podjął decyzję, że będzie się zajmował już tylko fizyką i rodziną. Niczym więcej. Dlatego gdy później na Uniwersytecie Warszawskim proponowano mu zostanie dyrektorem instytutu lub prorektorem, odmawiał. Ugiął się raz. W latach 80. rada wydziału fizyki chciała, by został dyrektorem. Wróciliśmy wtedy do Polski po rocznym pobycie we Francji. Mówił, że nie może, bo to się zapewne zemści na nim i na wydziale. Ale zgodził się, widział, jak bardzo kolegom zależy. Trzy miesiące po naszym powrocie wprowadzono stan wojenny. Tata nigdy nie chodził do telewizji, gdy go zapraszano. Po 1989 roku również, bo kiedyś mu powiedziano, że podpiszą go: „fizyk”, bez nazwiska. Bo im nie pasowało. Czyli jednak, na chwilę, wyjechaliście. – Tata pracował w paryskiej École Normale Supérieure, prowadził badania, później przez lata tam jeździł. I nie myśleliście, żeby jednak zostać? Czasy były koszmarne. – Odbyła się taka rozmowa. W sierpniu 1981 roku, gdy szykowaliśmy się do powrotu. Było nawet rodzinne głosowanie. Tata uważał, że powinniśmy zostać. Posadził nas we czwórkę przy stole, brat miał 10 lat, ja 15, rodzicie po 41, żyła jeszcze trójka dziadków. Zapytał: „Zostajemy czy wracamy? Co byście woleli? ”. Zmroziło mnie, nie wyobrażałem sobie, że mam nagle zostać we Francji, do której jakoś się przystosowałem, ale nie była moim światem. Od przyjazdu odliczałem dni do powrotu do domu, do przyjaciół. Dostaliśmy chwilę, by to przemyśleć, porozmawiać. Mieliśmy wrócić do rozmowy następnego dnia. I ja w ciągu tej doby dosłownie sterroryzowałem młodszego brata, który był gotów zostać. Wiedziałem, że zanosi się na remis, mama – jak ja – chciała wracać. Ale oni? Remis byłby niedobry. No i wróciliśmy. „Księga wyjścia” to zapis twoich rozmów z tymi, którzy wyjechali po Marcu. Do Skandynawii, Izraela, Stanów Zjednoczonych. Szukałeś ich wśród przyjaciół rodziców? – Chciałem wyjść poza znajomą ścieżkę, by te rozmowy i spotkania także dla mnie były ciekawe. I by złapać szerszą perspektywę. Oczywiście, kilkoro bohaterów pochodzi z kręgu ich znajomych, ale zacząłem szukać dalej. Tych, którzy wyjechali z Dzierżoniowa, Legnicy, Wrocławia, Szczecina i Gdańska. Chciałem poznać historie, o których do wtedy nie miałem pojęcia. O tym, jak po Marcu opustoszała żydowska Polska? – I jak wyglądała przedtem. Bo niczego o niej nie wiedziałem. Moi rodzice również. Znali tylko Warszawę. – A tamte miejsca były kulturowo znacznie bardziej żydowskie. Które z pytań było najtrudniejsze? – Dla mnie czy dla nich? Dla ciebie. – Nie czułem, by były takie. Trudno to jest odmówić ciastek. Albo poprosić współmałżonka, żeby nie był obecny przy rozmowie. Ale z czasem zrozumiałem, że powinienem mieć listę pytań obowiązkowych, o której w ogóle nie myślałem, gdy wyruszałem w podróż. Nagle zrozumiałem, że ciekawi mnie, kim oni właściwie są. Są Polakami czy nie? Co myślą o sobie? Ciekawe jest dowiedzieć się, czy są Żydami. I czy są Żydami bardziej niż wtedy. Bo część z nich w ogóle tak o sobie przed Marcem nie myślała. To 1968 rok zrobił z nich Żydów. Bardzo mnie też interesowało, co im ’68 zabrał. Często mówią, że Marzec odebrał im ich kraj. – Mało tego, niektórzy mówią, że decyzję o kierunku emigracji podejmowali, myśląc o tym, by znaleźć taki kraj, w którym już nigdy nie będą w stanie poczuć się obywatelami. Bo nie daliby rady drugi raz znieść sytuacji, w której ktoś powie im, że nie są u siebie. Anna Frajlich-Zając mówi, że celowo pojechała do USA, a nie do Izraela, bo z Izraelem natychmiast by się związała emocjonalnie. Ale gdy pytam ją zaraz potem, kim dziś jest, odpowiada, że Amerykanką... A nie Polką pochodzenia żydowskiego mieszkającą w Ameryce? – Też, ale teraz Ameryka to jej dom. A od kiedy stał się tym domem? Od dnia, w którym poszła na pogrzeb i zobaczyła, że w grobie, do którego składano jej wuja, już ktoś był. Przecież większość z nich w Polsce nie miała rodzinnych grobów, a w – na przykład – amerykańskiej ziemi już leżeli ich przodkowie. Mój ojciec z dziadkiem w latach 70. postawili na cmentarzu żydowskim obelisk – znalazły się na nim wszystkie imiona i nazwiska tych, których stracili, a których udało im się przywołać. Ale tam w środku jest pustka. Jako dziecko chodziłem z nimi na ten cmentarz, to były najdziwniejsze niedziele w życiu. Staliśmy przed obeliskiem, dziadek milkł. Tata go wspierał, ja niczego jeszcze nie rozumiałem. Znowu ta Róża, znowu ten Józio... Patrząc na ich smutek, czekałem na moment, aż wreszcie stamtąd wyjdziemy. U twoich rozmówców uderzają wspomnienia zachowań ich polskich znajomych. Wielu dało się złamać, po „dydaktycznych” rozmowach koleżanki i koledzy żydowskiego pochodzenia nagle przestali dla nich istnieć. – To była główna przyczyna tej emigracji. Na własne oczy zobaczyli, że takie rzeczy są możliwe, że z bliskimi dotąd ludźmi mogło się stać coś takiego. Ktoś ich wezwał na rozmowę, pewnie coś powiedział, zagroził, musieli coś położyć na szali i... poszło. Prowadzili, zdawać by się mogło, normalne życie, studiowali, uczyli się, mieli lepszą lub gorszą pracę, lepszego lub gorszego partnera i nagle ktoś im wyciągnął dywan spod nóg. W sekundę. I gdyby się nawet zdecydowali chodzić na czworakach, to ten dywan i tak zniknie. Marcin Wicha powiedział mi ostatnio w rozmowie w Radiu Książki, że naprawdę cieszy się z tego, iż jego rodzice nie dożyli. – Słyszałem. Straszne zdanie. Ja bym wolał, żeby moi rodzice żyli, i myślę, że Wicha również by wolał. Ale go rozumiem. Nie chciałbym, żeby mama i tata zobaczyli, że to się znowu stało. Myślę, że dziś rodzice naprawdę by żałowali, że 50 lat temu jednak nie wyemigrowaliśmy. A żałowanie czegoś u schyłku życia, gdy ma się 70, 80 lat, to jak żywienie się trucizną przez ten czas, który ci jeszcze pozostał. Nie poruszam tego wątku w „Księdze wyjścia”, ale w tych rozmowach często powracał temat naiwności Żydów, którzy jeszcze mieszkają w Polsce. Słyszałem: „Daliście się Polakom nabrać. Oni to robią średnio co dziesięć lat. Zawsze to robili. Teraz przez dwadzieścia parę lat był spokój i straciliście czujność”. Prowadziłem takie rozmowy jesienią i zimą 2016 roku. Przez lata, jeżdżąc po świecie, wdawałem się w dyskusje o tym, że nie można mówić o Polsce jako o antysemickim kraju. Że są ludzie, którzy są antysemitami, ale Polska nie jest antysemickim krajem. Dzisiaj także nie uważam, że Polacy są antysemitami. Ale w dzisiejszej Polsce antysemici dostali głos. Dlaczego tak się stało? – Zawsze tak się dzieje, gdy w obozie rządzącym zaczynają się tarcia. Ktoś kładzie na stół „żydowską kartę” – ona prędzej czy później kogoś wysadzi z siodła. Poza tym rosną słupki w sondażach. A potem my wszyscy zbieramy się z tego przez lata. Słupki się wahają. – Może dlatego, że się próbują wycofać jakoś z tej ustawy o IPN-ie? Padają sprzeczne komunikaty. To chyba nie jest jakaś bardzo przemyślana strategia. Natomiast nikt mnie nie przekona, że wygłaszanie przez osoby piastujące najważniejsze urzędy tekstów antysemickich, za które zresztą nie ponoszą żadnych konsekwencji, jest zwykłym niedopatrzeniem. To są słowa wypowiadane z premedytacją. One mogą pójść do kolejnych mediów, w których powiedzą, dlaczego w innych mediach powiedziały to i to, a dalej to już samo się toczy. Ale do czego polskim politykom w 2018 roku potrzebna jest „karta żydowska”? – To, w skrócie, jak z różnicą między humanistą a behawiorystą. Behawiorysta, gdy chce osiągnąć jakiś efekt lub cel, wymyśla system kar i nagród. Obaj jako ojcowie wiemy, że z dzieckiem łatwiej się dogadać, mówiąc dobre rzeczy, a nie wymyślając kary. Tymczasem nasze państwo zachowuje się jak niedorozwinięty behawiorysta. Wymyśla kary na wszystko. I na zapas. Dlatego zapłacimy cenę za ten nieudany eksperyment. Już widać, co się stało z walką o to, by nie mówić o „polskich obozach”. Internetowe statystyki pokazują skutek odległy od zamierzonego. – Bo to tak działa. Jeśli komuś mówisz, że będziesz go karał za mówienie czegoś, to nie zadziała. Tu nie trzeba być wybitnym psychologiem, naprawdę. Paweł Potoroczyn, były szef Instytutu Adama Mickiewicza, powiedział, że wystarczyło wykupić w „New Yorkerze” reklamę. Na jednej stronie – choć ta by nie wystarczyła, chyba że maczkiem – znalazłyby się wszystkie nazwiska Polaków – Sprawiedliwych Wśród Narodów Świata. Na drugiej – cztery nazwiska Amerykanów. Tyle. – A jeśli mówimy: „Ukarzemy was, jeśli jeszcze raz tak powiecie”, to po pierwsze, jest nieprawda to, bo nie ma mechanizmu, w myśl którego to mogłoby się odbyć. A po drugie, taki system zakazów działa nie tylko na dzieci. Gdy ktoś ci mówi, że będzie karał, zawsze znajdą się tacy, którzy podejmą wyzwanie. A bohaterowie „Księgi wyjścia”? Co mówią? – Bardzo wielu marcowych emigrantów, niekoniecznie tych z książki, zdecydowało się przyjechać na obchody. Myślę, że to, co się dzisiaj dzieje w Polsce, dla wielu z nich jest ostatecznym argumentem na to, że 50 lat temu podjęli właściwą decyzję. Są już emerytami, powoli podsumowują życie. Niektórzy z nich myśleli być może, że gdyby zostali, ich dzieciom byłoby łatwiej. A może trudniej? I proszę. Nie ma już o czym myśleć. Czytają polskie gazety, przecierają oczy. Część z nich pewnie zdecydowała się przyjechać, by zobaczyć to osobiście. I wyjechać. Jest w tym rodzaj jakiejś – używając znowu psychologicznego języka – perwersyjnej satysfakcji. Ale pojawiają się i takie głosy: owszem, działania polskich polityków nie były najszczęśliwsze, ale mówienie o tym, że mamy nowy Marzec, to duża przesada. – Ja także uważam, że to przesada. Bo to jest Luty. Który zresztą nie wiadomo kiedy się skończy. Ale mówiąc poważnie, jeśli ktoś nie protestuje przeciwko antysemityzmowi, który się wylewa, to znaczy, że albo jest mu to na rękę, albo jest idiotą. Tej drugiej możliwości nie biorę pod uwagę, bo mam nadzieję, że moim krajem nie rządzą ludzie, którzy są idiotami. Dlatego uważam, że to polityczna rozgrywka. I wiem, że to g... wrzucone w wiatrak ochlapie nas wszystkich. Nie tylko nas, Żydów. Nie tylko tych, którzy mówią te parszywe słowa. Wszystkich. Teraz znowu wyjadą ludzie... Wyjadą? – Już składają aplikacje. Jest ich zdecydowanie więcej niż przez cały ubiegły rok. Chcą wyjechać, bo się boją? – Bo nie chcą czekać na to, co będzie dalej. Bo młodzi, którzy mają dzieci, myślą, że jeśli możliwe jest mówienie takich słów, to możliwe są także inne rzeczy. Bardzo bym chciał, żeby ci młodzi nie podejmowali pochopnych decyzji. Bo jako ten starszy chciałbym móc im powiedzieć, że tu się daje żyć. Ale nie mogę im tego obiecać. Chciałbym, żeby to wszystko zahamowało. Wiele osób mówi, że musi się zdarzyć coś, żeby zatrzymać pewne procesy. Że niby im szybciej przyjdzie kryzys gospodarczy... A ja bym nie chciał żadnego kryzysu, nie chciałbym powrotu inflacji, żeby ludzi nie było stać na płacenie za mieszkania. Jestem pewny, że większość z nas tego nie chce. Funkcjonowania na kuli ziemskiej w jakimś nawiasie. Poza tym wiadomo, że im będzie gorzej, tym bardziej Żydzi będą dostawali po nosie. Wiesz, ostatnio spytałem żonę: „Jak myślisz, skąd bierze się to poczucie wyższości? ”. Bardzo szybko odpowiedziała: „Poczucie wyższości zawsze się bierze z poczucia niższości”. Wcześniej wiele rzeczy mówiło się między sobą, po cichu i na marginesie. Dzisiaj można już powiedzieć wszystko wszędzie. I jeśli na tym ma polegać to słynne budowanie wspólnoty, która wstaje z kolan, to znaczy, że dla mnie naprawdę zaczyna brakować tu miejsca. Ty też zastanawiasz się teraz nad wyjazdem? – Nie wyjadę z wielu powodów. Po pierwsze, jestem za stary. Już nie zacznę mówić po duńsku albo po hebrajsku tak, bym mógł się porozumieć z kimkolwiek, tak jak teraz z tobą. Powiedziałem, że to po pierwsze, ale w zasadzie to dopiero któryś kolejny powód. Nie wyjadę przede wszystkim dlatego, że to jest mój kraj. Nie ma innego kraju, który jest bardziej mój. Lubię być turystą, ale w Polsce jest moje miejsce. Ono bywa dla mnie okrutne jak teraz, ale zdecydowałem się tak właśnie żyć. Nie mam innej ojczyzny. źródło:.

I know Im german but Jeeze leave the jews alone not all of them are bad

Tandie Newton made this show for me. She is the best actor on the show. Watch movie enticement online. What gives The Hague the right to decide who is a war criminal. The very religion that they appease,Islam,will soon take over the Netherlands. Hague will be under sharia law. Tolerant heathen Europeans will one day feel what Israel deals with is no joke... Incitement movie where to watch. ผมดูแล้วผมยังท้อแทนเลยครับ  #สู้ๆนะครับพี่ศรัญ.

MC why don't you apply for PRO ICERD RALLY? You know you won't get such approval. be at peace MC, be at peace. Watch incitement movie online. Adolf Hitler: Officially a Disney Princess. WAIT IS THAT A JOJO REFERNCE. This film is a re-creation of the life of Yigal Amir, the assassin of Yitzhak Rabin, from the time of the announcement of the 1st Oslo peace accord, to the actual deed. While Yigal was already a nationalist (he starts by being arrested at an anti-Oslo rally) various forces encouraged or abetted him towards assassination.
There is his mother, encouraging him to greatness, as per his name. There are rabbis who proclaim that Jewish law should supercede secular law, and also that Rabin is a "Persuer" and an "Informer" permitting him to be killed. There is a Likud / Bibi rally, where calls to kill Rabin go unchecked. There are girlfriends / potential brides, who just distance themselves from him but not report his thoughts to authorities. About the only person who comes off well is his father, who said that, if Rabin should be struck down, it should be by the hand of God and not of man.
I was at the world premiere (see: trivia) where the director said the film project was started 5 years ago, and it is just coincidental that it is coming out as populists hold hate-filled rallies.


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Drama 8,8 / 10 Stars description=April 6th, 1917. As a regiment assembles to wage war deep in enemy territory, two soldiers are assigned to race against time and deliver a message that will stop 1,600 men from walking straight into a deadly trap Runtime=1 Hours 59 Min Directed by=Sam Mendes.


This. is. THE best video ever. Helped me really integrate the dense aff information in Campbell Biology. Thanks. Big Pharmacy gets its opium tar at bargain basement prices these days, thanks to our involvement and continued presence in Afghanistan, so why are the prices of opiate painkillers spiking like never before? It might be a question worth asking. I love the way he explained this. God Girls go to heavan and bad Boys go down to the Brotherhood. Sure we know the US Govt is involved with drugs. Sure ! You want to make a lot money ? Hook you up ! illegal wars, drugs, weapons ? Jeb Bush and those shady characters. yea ! With all the approval from the illuminati. The Bushes are calling me on my cell phone, they want to know if I want to be rich.

Along with help from GEORGE BUSH. Χίλια Εννιακόσια Δεκαεπτά trailer 2018 full movie #ΧίλιαΕννιακόσια at Dailymotion [ Online HBO 2018 Online Free. The frontal lobe does more than just emotions: Basic Logic -Social Behavior -Language. Down with the oligarchy. Where ever I go there's swedish sub. Mujhe ismein kam karna hai aap kahan se Hain London bhi Amir ka Amir ka. One world government speech ten years to the day. ​La premiile Oscar din 2020 filmul "1917" are șanse. Cu zece nominalizări, și probabil un premiu la gală, poți spune că războiul aduce și fericire. Sigur, exagerez, dar nu mai mult decât o face acest film. "1917" sau "1917: Speranță și moarte", după cum e cunoscut în România, a debutat oficial la noi pe 24 ianuarie. Înainte de-asta a cules mai toate laudele pe care le putea culege în Statele Unite ale Americii, Marea Britanie și alte țări din Europa. Acțiunea e în Primul Război Mondial într-o zi oarecum optimistă: pe 6 aprilie, Statele Unite ale Americii au intrat, oficial, în cel mai mare război pe care lumea l-a cunoscut. Despre asta nu se pomenește în film, e doar un fapt istoric. Filmul "1917" pornește de la doi oameni în seama cărora se pune cea mai importantă încercare: să oprească soldații britanici din a fi omorâți și mai repede de armata germană. Din 6 aprilie, vineri, până pe 7 aprilie, acești doi soldați trebuie să treacă prin ceea ce e numit "Tărâmul nimănui" - plin de cadavre și resturi de război - și să ajungă la un dumnezeu al frontului: colonelul MacKenzie. Tehnic, filmul ar trebui să-ți lase impresia că e one shot. Adică a pornit camera și nu s-a mai oprit decât când lucrurile s-au așezat și e timpul să lași punga goală de popcorn și să pleci acasă. Tehnic, e spectaculos. E compus din două momente one shot. Prima e pe timp de zi, a doua începe în noaptea dintre 6 și 7 aprilie și se întinde până în ziua decisivă. Sam Mendes, regizorul, și Roger Deakins, omul responsabil cu ce filmează camerele, au făcut o treabă excelent. Dovadă stau și cele două nominalizări pentru fiecare dintre ei. Cum a fost filmat on shot filmul 1917 Ce rămâne însă după ce treci de magia asta cu one shot? Rămâne un film destul de sec care vinde speranțe, încredere și-o ciudată determinare a unor personaje de altfel plate și insuficient construite ca să te atașezi de ele. "O să primiți o medalie. Iată ceva ce o să înveselească o văduvă" Schofield și Blake primesc de la generalul Erinmore ordinul să oprească un viitor atac britanic asupra germanilor. Ce știe Erinmore și nu știe MacKenzie e că germanii, de fapt, plănuiau retragerea, astfel încât să omoare și mai mulți soldați britanici. Dar liniile de comunicații nu mai funcționează, așa că cineva trebuie să ia frontul la pas și să transmită mesajul. Aici apare și motivarea pusă cu mâna: printre soldații care vor ataca armata germană este și locotenentul Blake, fratele celui care trebuie să transmită mesajul. O surpriză a celor doi soldați, în misiunea lor, e că germanii erau mai bine pregătiți, de la provizii la cât de robuste erau tranșeele Schofield și Blake pornesc la drum, din tranșee peste terenul plin de sârmă ghimpată, resturi de arme și, mai ales, cadavre. Înainte să iasă din tranșeele lor, un camarad le transmite poate cel mai puternic mesaj din prima jumătate a filmului: "O să primiți o medalie. Iată ceva ce o să înveselească o văduvă". Misiunea asta, aproape sinucigașă, e ceea ce ține filmul legat de la început până la sfârșit. Modul în care e filmat e însă ce te face pe tine să simți ceva despre "1917". Nu e primul și nici nu va fi ultimul film despre Primul sau Al Doilea Război Mondial. Pur și simplu nu s-au spus toate poveștile și, la o adică, poveștile sună și mai bine după ce-a trecut suficient timp peste ele. A trecut secolul de la Primul Război Mondial și până acum, ocazie de care profită admirabil Sam Mendes și Krysty Wilson-Cairns, oamenii care au scris scenariul inspirat din fragmente povestite de bunicul lui Mendes. Asta e și filmul. Un fragment aproape microscopic dintr-un conflict care s-a întins pe patru ani, a distrus un continent, a retrasat numeroase granițe și-a dus la zeci de mii de morți. La capătul conflictului au rămas poveștile de război, și ele transmise romanțat, și medaliile pentru cei care au mai apucat să se bucure de ele. De ale celorlalți s-au bucurat familiile și cel puțin războiul n-a părut pe de-a-ntregul inutil. Unele familii și-au descoperit eroii. "Speranța e un lucru periculos" Primul Război Mondial, pe frontul de Vest, a avut peste 56 mii de kilometri de tranșee. Pentru film, creatorii lui au săpat aproape 800 de metri de tranșee și-au încercat să transmită oarecum sentimentul pe care soldații l-ar fi avut. Dar n-ar trebui să fie vorba despre asta. E un film, până la urmă, și Mendes cu Deakins au folosit tehnica one shot ca să-ți dea senzația apăsării și necesității imediate. Ceea ce merge perfect cu această replică a colonelului MacKenzie de la final: "Speranța e un lucru periculos". În film, el a avut speranța că poate să învingă armata germană. În realitate, tu poți să ai speranța că un om poate schimba cursul unui război. Personajul principal care se suie pe ceva suficient de înalt cât să fie văzut chiar și de un lunetist cu strabism Schofield și Blake au fost trimiși împreună dintr-un motiv de altfel pragmatic: într-un peisaj post-apocaliptic, cu bombe și lunetiști la fiecare pas, dacă unul moare, celălalt ar trebui să ducă misiunea la final. Schofield o duce chiar și când tranșeele germanilor se dărâmă peste el, în urma unei explozii, chiar și când lunetiștii încearcă să-l oprească și chiar și când vrea să țină în viață un pilot german doborât de britanici. Momentul pilotului german putea însemna mai mult, dar în doar cinci minute regizorul trece de la compasiune la regret ca să-ți arate că în război nu întorci spatele inamicului. Ceea ce Blake a descoperit pe propria piele într-un moment care nu poate fi catalogat decât o scăpare incredibilă de logică în scenariu și în acțiunea filmului. Dar asta, probabil, îl motivează și mai mult pe Schofield să livreze scrisoarea. Avionul german în care e un pilot cu suficientă energie și determinare cât să mai omoare un soldat britanic "1917" nu va fi un film memorabil. Vorbim acum de el datorită acelor nominalizări la Oscar și pentru că Primul Război Mondial e atât de departe în istorie, încât au murit aproape două generații de oameni care ar fi avut acces la acel conflict prin povești sau pentru că l-au trăit. Mendes l-a construit tot din fragmente și din ceea ce ar putea părea dramatic, demn și onorabil în prezent. "Unii oamenii vor doar să lupte" Colonelul MacKenzie în momentul în care află că ziua pentru care s-a pregătit e amânată Misiunea pe care cei doi soldați o au e destul de simplă: să livreze un mesaj de la un general către un colonel. Sigur, trecând prin tot haosul pe care războiul l-a lăsat în urmă. Ce mai găsesc cei doi în drumul lor, și în special Schofield, sunt vorbe de mare angajament din partea diverșilor șefi de armată. Căpitanul Smith, de exemplu, care-i permite lui Schofield să meargă alături de oamenii lui în camion îi spune la final: "Când ajungi la colonelul MacKenzie să-i vorbești în particular. [... ] Unii oamenii vor doar să lupte". Și dacă ar fi plecat ideea filmului de la această frază despre cum unii oameni, deveniți soldați, văd în asta tot scopul vieții lor și tot ar fi avut mai multe șanse să devină memorabil. Toate astea te duc la final și la o frază a lui MacKenzie: "E un singur mod în care se termină războiul asta: până la ultimul om care stă în picioare". Realitatea e însă un pic diferită. Războaiele se termină, de regulă, cu înțelegeri între lideri și tot ce s-a trăit și s-a murit pe front rămâne pe front și trece istoria peste. "1917" există pentru că nimeni altcineva n-a mai făcut un film ca acesta. Nu are sacrificiu uman, nu are camaraderie, nu are fapte istorice trecute printr-o romanțare cinematografică și n-are nici măcar o cronologie complicată ca în "Dunkirk", unde moartea pare cel puțin mai aproape decât e în "1917". Ce rămâne din filmul acesta, și ar fi trist să am dreptate, e că oricine poate influența deznodământul unui război, de la un soldat transformat în mesager până la un colonel care poate să amâne moartea. Și, la mai bine de-un secol de la acele evenimente, în studiourile de la Hollywood chiar poți crede asta.

Were the Nazis talking the truth, the whole truth and nothing but the truth? Why does puting the truth in type, sound like a Nazi to you haze h? Please tell me so I will know. To watch this in 2014 is amazing.  This guy basically outlines exactly what happened during the Sr. Bush years before they happened.  Stunning. After reviewing movies for many years I have a sort of formula when it comes to writing about the films I watch. If the movie is really bad I tend to write the review straight away so I can get it out of my mind and never have to think about it again. When a film is good, as I find most are, then I tend to wait two to three days to collect my thoughts, do some background research and write it with a clear mind. But occasionally I see a film which absolutely blows me away. These types of films come around rarely but when they do I have to really sit back, take a deep breath and comprehend just how I'm going to convey how good it is in words. 1917 is that type of film - a movie that displays technical wizardry behind the camera and amazing work in front of it. It's been six days since I've watched 1917 and I'm still in absolute awe of what I witnessed!
The year is of course 1917. Deep in the heart of France British soldiers battle the Germans in what appears to be insurmountable odds. It's on the battlefield that we meet two young soldiers, Lance Corporal Blake (Dean-Charles Chapman) and Lance Corporal Schofield (George Mackay. They've just been assigned an impossible mission by General Erinmore (Colin Firth) travel by foot behind enemy lines, avoiding German snipers and artillery, to find a British battalion that is about to walk into a trap set up by the Germans. It's a task so dangerous it will probably cost both men their lives, but if they fail it will lead to the massacre of 1,600 British soldiers. Adding to the urgency of the assignment, Blake's older brother is one of the 1,600 soldiers about to walk into the ambush!
After reading the above description you're probably wondering what makes this film so spellbinding. Well it's the way that it has been filmed that really puts it above other war films. Director Sam Mendes (Skyfall, American Beauty) and cinematographer Roger Deakins (Skyfall, Blade Runner 2049) have collaborated to come up with a style of filming that makes it look like one long tracking shot that never takes a break or cuts away.
We follow soldiers Blake and Schofield all the way through their mission in real time: walking though crowded bunkers, dodging snipers and crawling through mud as if we are there with them. As an audience member it's disorienting, confronting and an absolute cinematic masterpiece like I've never witnessed before. This is a film that just HAS TO be seen in the cinema to get the full experience. It's a movie that really shows the horrors of war with scenes that will shock you and sounds that will scare you. A lot of people may compare it to Saving Private Ryan but I think it may even be better than that!
Apart from a couple of nit-picky things there is nothing bad about this movie. There are cameos galore where the famous actor always has his back toward the camera and then dramatically turns around as if to say 'look it's me. and a lot of the story does fall into place rather too nicely, but nothing took away from my enjoyment or made me feel as I was watching 'just another movie. Throughout this film's two hour running time I felt as if I was on this mission with these two soldiers and absolutely nothing took me out of it until the very end credits.
Mendes has managed to capture the horrors of war in full, gory detail. From dirty, rat infested bunkers to brutal deaths and amputations, nothing is off limits as 1917 definitely doesn't glamorise what these brave men in the British armed forces had to go through. It may not be easy to watch for those of you with a weak stomach but it is probably a very accurate portrayal of what really happened in World War One.
The saying 'you have to see it to believe it' is an accurate statement when talking about 1917. Nothing I write will do justice to the film which definitely requires a second viewing to fully take it in. It's war and it's ugly but the way it has been told is just as engrossing as what is being told. A must see at the cinema!

They were so right. He is dead now and of course the media pretends that he was a hero. MY OH MY POPPY BUSH IS NICE TO REALIZE OTHERS EYES R OPENED TO THE bUSH CRIME FAMILY. Just wow. American Government Acts no differently than any other nation, We just do it better. But on the contrary we need to treat American citizens better when it comes to Drugs and punishment. treat it more of a health issue than criminal.


Mmm mingus dew. @Sr. Terry Burke Matches with the most cases around the world about how corrupted things can be. Everything from the politics about the fishing industries to entire countries dictatorships and lies (lies would probably appear in most of these cases as in good is what it looks like on the outside but total garbage on the actual inside but also an indication to hence the saying too good to be true. Thank you! I've learned more information from this short video than the hours I've spent on my textbook and notes! THANK YOU.

The Bush Family is a disgrace to America

MISTER ANDERSON. WOW! Finally, someone that explained this in a way I can comprehend! Thank you sooo much.


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2020; ; genre Drama; directed by Stella Meghie; Country USA. Download Torrent The photographies. Welcome. May I offer you some cake? No. No! NOOOOOO! No, thank you. Download Torrent The photographie. FF fan after fast 10: Im going to miss vin diesel as Dominic toretto. Riddick Fan: dont worry all our prayers are answered. now we will have bloodshot 1,2,………10. Bro we are sorted.

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  • Correspondent: Street Photography
  • Biography: Home Of #StreetPhotography. Founded by @streetimages Johnny Mobasher LRPS,on Instagram @streetphotography Not Any Snap On The Street Is Street Photography.B’ham

Genres: Documentary Mark Bozek scores: 17 vote stars: Bill Cunningham duration: 1 H 14Min.

The times of bill cunningham t shirt. Bill did the 100 yard dash to his seat. his hilarious. You are the baby daddy 😂😂😂. Bills kinda little run 😂 the oh shit moment. The Times of bill cunningham. Thank God this show is no longer on the are. exploitation for plane. Always i want some feedback i see this motivatig interview, she deserrve all the respect, work hard, have fun, no drama.

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The times of bill cunningham watch online. The Times of Bill cunningham new york. James needs to actually answer more questions because the whole “maybe Ill answer” and then he eats the food is getting a little dramatic. Omfg she is so adorable and funny 😍😂 I always though she was cold and all she is really the definition of never judge books by their cover. Si alguna sinopsis cuenta demasiados detalles del argumento -o para corregir errores o completar datos de la ficha o fecha de estreno- puedes mandarnos un mensaje. Si no estás registrad@ puedes contactarnos vía Twitter, FB o por email a info -arroba- filmaffinity -punto- com. Los derechos de propiedad intelectual de las críticas corresponden a los correspondientes críticos y/o medios de comunicación de los que han sido extraídos. Filmaffinity no tiene relación alguna con el productor, productora o el director de la película. El copyright del poster, carátula, fotogramas, fotografías e imágenes de cada DVD, VOD, Blu-ray, tráiler y banda sonora original (BSO) pertenecen a las correspondientes productoras y/o distribuidoras.

The times of bill cunningham documentary netflix. Waiting for the next ON THE STREET WITH episode, congrats man, i love this videos. lots of inspiration and learning on your channel. The times of bill cunningham movie. Pin by Mj on Photographers in 2020 | Bill cunningham, Cunningham, Full movies. LOOOOOOOOOOVE IT. 217, 700 songs 68, 400 artists 94, 700 episodes, movies and games The Internet’s best source for music from TV and movies since 2005 Copyright 2020 Tunefind LLC. All rights reserved. Song previews courtesy of Apple Music, iTunes and Spotify.

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The times of bill cunningham where to watch. Lady Gagaaa... ahahhahahah <3. The times of bill cunningham documentary. Q&As with Mark Bozek on October 11 & 14 Mark Bozek began work on this lovely and invigorating film about the now legendary street photographer on the day of Cunningham’s death in 2016 at the age of 87. Bozek is working with precious material, including a lengthy 1994 filmed interview with Cunningham (shot when he received a Media Award from the Council of Fashion Designers of America) and his subject’s earliest pre- New York Times photographs, long unseen. In his customarily cheerful and plainspoken manner, Cunningham takes us through his Irish Catholic upbringing in Boston, his army stint, his move to New York in 1948 (which was controversial for his straitlaced family), his days as a milliner, his close friendships with Nona Park and Sophie Shonnard of Chez Ninon, his beginnings as a photographer, and his liberated and wholly democratic view of fashion. Narrated by Sarah Jessica Parker.

Sales of the times of bill cunningham. Bill is a instigator just trifling I'm so glad I know who all three of my babies daddies are one man and we're married this here is crazy. The times of bill cunningham dvd. I always loved her despite what the media says. The Times of Bill cunningham dance. Hey we need to know one thing, U.S. Is a big country, different regions have different cultures, East coast is usually cold and that's why it's easier for people there to dress up. Whereas in west coast, it's always sunny and hot there and of course people won't wear jacket all the time.

Interviewer wasn't experience BUT I think that made Anna more open, she recognised that and didn't feel threatened by the interviewer (as no doubt she has in the past, with more experienced journos, from larger media outlets. Quite interesting I thought. An inspirational man with a beautiful heart. The times of bill cunningham rotten tomatoes. The Times of Bill cunningham new. The times of bill cunningham netflix. The times of bill cunningham imdb. Gosh this looks like a great movie. To everyone in this video - I don't know you, but I love you <3. The times of bill cunningham streaming.

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The times of bill cunningham. The Times of Bill cunningham dance company. A very warm tribute Ted. I am sure Bill and his family and friends would be feel humble and proud to hear your tribute. The times of bill cunningham trailer. The times of bill cunningham film. The times of bill cunningham shirt. Too fuzzy. What a slap in the face complement that was,i know what she beyonce's name should not be anywhere near Linda's, good god... Love the middle outfit around 1:45. Nasty Bi%H. Love is an inspiration. The Times of Bill cunningham energy. I don't like dangerous fairly fairy tales. Unfortunately with the way some black people act I understand why stop and frisk had to happen. R.I.P, sad day in Russia. The times of bill cunningham nyff. The times of bill cunningham trailer 2020.

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